In 2019, I launched ONEIRIC SPACE as an online interview publication in collaboration with writer Effie Efthymiadi and Studio Push. Stemming from my personal dream journalling practice, the project aimed to spark dialogue about the multifaceted nature of dreams and the various approaches to engaging with these nightly experiences. Since then, it has grown into a newsletter series, irl gatherings, publications, and collaborative events.
ONEIRIC SPACE is shaped and informed by the artists, researchers, and practitioners we’ve spoken to and collaborated with. Gatherings have been held at ACUD Galerie, Callie’s, kwia, Haus am Lützowplatz, Künstlerdorf Schöppingen, Burg Hülshoff - Center for Literature, Insola, and the Museum of Architecture and Design Ljubjlana.
During an outdoor session, I invited attendees to contemplate the more-than-human beings—both in dreams and in our immediate surroundings—through a grounding exercise, readings, and reflective prompts. The texts read aloud wove together personal dream journal fragments, research gathered through ONEIRIC SPACE and anonymous responses from previous participatory readings.
Sound: Alexis Chan with the Ljubljanica River
Leaflet design: Daryn Roongrawewan
Sources & Inspirations: on Are.na
More on the ideas circling around this participatory reading on
Are.na Editorial, where I adapted the texts into a meandering essay.
This project was initiated at Est-Nord-Est & supported by the Canada Council for the Arts
Published by ONEIRIC SPACE with guidance from Artist’s Book Workshop/Claudia de la Torre. Special thanks to Alexis Chan and Meg Miller.
20 x 14.3cm. 35 pages. Paperback cover. Glue binding.
Digital, monochrome on colored paper. Edition of 50.
25 EUR.
Set to a soft backdrop of sound and scent, the format questions the conventions of traditional public readings — often directed at the brain while ignoring the body in space. It also examines how visual, auditory, olfactory, and spatial elements might influence encounters with memory, language, and knowledge.
Sound by Alexis Chan
This project started as an experiment in collective dream reflection during a residency at Künstlerdorf Schöppingen.
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Presented at Est-Nord-Est’s open studios (Spring 2024), the work-in-progress video poem brings fragments of my dream journals in dialogue with anonymous responses from a participatory reading in Berlin. Lines – both recited and partially displayed on screen – are combined with personal footage gathererd from the past couple of years, including my time at St. Jean-Port-Joli for the residency. Sound composed by Alexis Chan
The accompanying installation – made from fabrics, stones, projection, speakers, and a tea set – invited viewers to take a moment to pause and contemplate the kinds of knowledges that surface in dreams. How might ecological upheavals affect dream landscapes? Can attending to nightly visions open up different pathways for listening to nonhuman beings?
This project was initiated at ENE, after coming across the term ‘videopoetry’ in the book ‘Poetry in Performance’ by Tom Konyves .
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Chinese Medicine
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mono.kultur #47 / Summer 2019 / English / 15 x 20 cm
48 Pages / Pages trimmed to different sizes
Interview by me / Photography by Mathieu Cesar; Robert Clark; Bryan Huynh; Inez & Vinoodh; ioulex; Nick Knight; Luigi & Iango; Jean-Baptiste Mondino; Armin Morbach; Petrovsky & Ramone; Warren du Preez & Nick Thornton Jones; Ronald Stoops; Emma Summerton; Sølve Sundsbø; Juergen Teller; Ellen von Unwerth; Duy Vo; Michel Zoeter / Design by mono.studio